The Long Note

Helen Cammock
Mary Cremin

6 October - 15 December 2018

  • Helen Cammock, exhibition The Long Note. Turner Prize nominee
  • Helen Cammock, exhibition The Long Note. Turner Prize nominee
  • Helen Cammock, exhibition The Long Note. Turner Prize nominee

Void Gallery would like to congratulate Helen Cammock and her fellow nominees for jointly accepting the award for this year's prestigious Turner Prize. Helen was nominated for her film The Long Note (2018), which was commissioned by Void's Director Mary Cremin, and displayed at Void Gallery in October 2018. The film explored the role of women in the Civil Right Movement in Derry in 1968 and was presented for the 50th anniversary on 5 October 2018. Read about Helen's work below and the film The Long Note. It was then screened in IMMA. Please stay tuned for details of any future screenings.



Thank you to everyone who attended our last exhibition of 2018 – The Long Note by Helen Cammock. We were delighted to welcome such a large and diverse range of people from all communities with just over 1,300 visitors in total – 700 of those being members of the general public.


Exhibition Overview

The Long Note is a solo exhibition by artist Helen Cammock, celebrating the involvement of women in the civil rights movement in Derry in 1968;  coinciding with the 50th anniversary of the first march in Derry on October 5th. Cammock  has created a new film work – commissioned by Void Gallery – that explores the history and role of women in the civil rights movement in the city. The complexities of the politics in Northern Ireland have overshadowed the social history of the region and women’s history more specifically. The Long Note (2018) is a partial move towards redressing this disparity and to recognise the need to expand the narrative and highlight the centrality of women in what was a pivotal moment in Derry and Ireland’s history.  


Cammock’s practice often explores social histories through film, photography, print, text and performances creating multiple and layered narratives that are not linear in nature allowing for the cyclical nature of history to be revealed. Through these devices she will explore the motivation for women’s participation in the civil rights movement, the influence of the black civil rights movement and the invisibility of women in the historical narrative of the time, and how it impacted family life and the notion of loss. The film is an attempt to articulate the variety of political positions taken by women at that time, there was no one unifying position or one identity but a multitude of voices that permeated a tumultuous time in the city’s history.


Shouting in Whispers (2017) will be exhibited alongside the new work. This hour-long film takes edited YouTube clips along with original footage that moves through moments of conflict, political resistance, and protest from the 60’s to the present day. The film is punctuated by the artist singing and appearing intermittently throughout the film giving the past a voice in the present.  Both films are connected through their ability to relay the universal struggle and to give a voice to the invisible, to lay bare the importance of the collective experience, and acknowledging the power in the universal experience.


Both films address geopolitics in all its complexities, The Long Note brings women’s distinctive and diverse voices and perspectives to the fore while Shouting in Whispers traverses the history of conflict from the period of the Vietnam War to the present day. Cammock retells history, making links between the past and the present and creating alternative histories, giving a voice to the unheard.


Artist’s Bio


Helen Cammock (b.1970, England) gained her MA in Photography from the RCA in 2011 and her BA (hons) in Photography from the University of Brighton in 2008. She had a solo exhibition at Cubitt, London (2017) and an exhibition and commission with Bookworks as part of Hull City of Culture (2017) and has been included in the Serpentine Cinema series, Tate Artist Moving Image Series and Open Source (2016). Helen was also the winner of the Max Mara Art Prize for Women (2018-19).

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